
Save the Date! Lincoln Book Festival is Back.
The next edition of Lincoln Book Festival will take place from 02-05 October 2025.
University of Lincoln, via Lincoln Arts Centre sign partnership agreement to support Lincoln Book Festival to grow and sustain into the future.
For the 2024 iteration the Lincoln Book Festival will enter into a partnership agreement with University of Lincoln through Lincoln Arts Centre who will act as a festival hub, and will contract and fund a brand new position of festival director. This partnership is made possible through the University of Lincoln’s successful bid to join Arts Council England’s National Portfolio of Organisations (NPO), powered the university’s Centre for Culture and Creativity.
The festival, which has run annually in the city for two decades, is supported each year by generous local businesses, organisations and individuals through sponsorship and in-kind support. Previously specialising in guest talks by acclaimed authors in history writing and historical fiction, in recent years the festival has diversified its offering to appeal to a broader demographic through a greater variety of genres and literary formats.
Lincoln Book Festival are seeking a highly creative and entrepreneurial individual with exceptional skills in developing an artistic, innovative and sustainable programme.
We co-design our vision, mission and business plan with a volunteer group of Critical Friends.
The Sandy Gray School of Dance and Theatre presents their next full school performance of Encore: A Night at the Musicals.
The University of Lincoln’s School of Creative Arts is delighted to announce the launch of THE FACULTY SHOW, a new annual exhibition showcasing the creative work of staff from across our arts programmes. This vibrant event highlights the breadth and depth of creative practice at the University of Lincoln, while inviting students, colleagues, and the wider public to engage directly with the innovative work that shapes our teaching and research.
Mutualist Appropriation Art presents nine bodies of work developed through Andrew Bracey’s practice-led PhD, proposing a shift in how appropriation art is understood.
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